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WHAT I’VE LEARNED FROM YOU AND MYSELF (THE GOLDEN MAGICIAN MIX), Adam Farah

Adam Farah

WHAT I’VE LEARNED FROM YOU AND MYSELF (THE GOLDEN MAGICIAN MIX)

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Adam Farah, WHAT I’VE LEARNED FROM YOU AND MYSELF (THE GOLDEN MAGICIAN MIX), 2021
C-Type on Fuji Matt paper
52 x 42 cm.
Edition of 20
Signed and numbered
Unframed

Standard Price £250 *
Patron’s Price £225 **
Set of 2 Adam Farah's editions £375***

Standard Price £250 *
Patron’s Price £225 **
Set of 2 Adam Farah's editions £375***

* Edition prices will increase as they sell out.
** Patron’s price is available to those who support Camden Art Centre via our Patron and Young Patron scheme. For further information please click here.

This edition has been produced on the occasion of Adam Farah's exhibition WHAT I’VE LEARNED FROM YOU AND MYSELF (PEAK MOMENTATIONS / INSIDE MY VELVET ROPE MIX) at Camden Art Centre, 2021. 

About the work
The images in the edition were both produced during my residency and represent moments in my journey of spiritual and psychedelic exploration, whilst working through processes of mourning and healing. Both images represent the tools that have helped me along my journey – mushrooms and an iPod Mini which is playing Run For Cover by the Sugababes (Track 12 from their debut album ‘One Touch’, released in 2000.
 

About the artist
Adam Farah (b. 1991, London, UK) – sometimes known as free.yard – is an artist, composer and sauce-maker. Recent exhibitions and projects include YESN’T Part I & II, Galerie Sultana, Paris, France (2020); NEW VIEWS ON SAME-OLDS, Exhibition Space of the Academy of Fine Arts, Vienna (2020); Brent Biennale 2020 / LUX Artist Moving Image Commission, London (2020); MEDICATED SUMMERS / BENEFITS TRAP / ENDS PORTALS, flatness.eu, Online (2019); NAE Open, New Art Exchange, Nottingham (2019); The Range, Eastside Projects, Birmingham (2019); BREATHLESS Mixtape, online (2018); Le Colt est Jeune & Haine, DOC, Paris (2018); PRAISE N PAY IT / PULL UP, COME INTO THE RISE [as free.yard], South London Gallery, London (2018); There’s Something in the Conversation that is More interesting than the finality of (a title), The Showroom, London (2018); A History of Drawing, Camberwell Space, London (2018).

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